Fifth and last lesson in the series, where we will cover positions 5 of the minor and major pentatonic scales. Mixing of these two patterns is very important in blues and other forms of music as well, and it will create a more interesting vibe in your playing when alternating these two patterns/feels.

Part 2 of Mixing Major and Minor Boxes in Blues - let us get mixing!

Fourth lesson in the series, where we will cover positions 4 of the minor and major pentatonic scales. Mixing of these two patterns is very important in blues and other forms of music as well, and it will create a more interesting vibe in your playing when alternating these two patterns/feels.

Third lesson in the series, where we will cover positions 3 of the minor and major pentatonic scales. Mixing of these two patterns is very important in blues and other forms of music as well, will create a more interesting vibe in your playing when alternating these two patterns/feels.

In this solo we will try to demonstrate how to mix major and minor blues patterns to create a natural mix between major and minor voiced phrases. This is the part one where we will cover position 1 of the minor pentatonic scale on top of the position position 1 of the major pentatonic scale.

How to build major and minor chords from the ground up.

In this lesson we gonna mix the Dorian scale with the Melodic minor scale to add some "colors" and tensions in our playing.

Practical examples of minor and major sweep shapes.

Playing a minor pentatonic over a dominant 7 chord is a great way to add a bluesy feel to an improvisation. The tension heard when playing a minor third over the major third of the track is what makes blues so interesting.